Negligee patch scens4/30/2023 ![]() The courtroom scene, with a racist riot nearly exploding, in addition to Hayakawa's restrained performance somewhat reconciles my objections, though. Offending the Burmese is easier to get away with, although Asians in general are stereotyped. As mentioned at this website, Sessue Hayakawa's Japanese ivory king was changed to Burmese for the 1918 re-release-not the last time Hayakawa starred in a film that appeased to Japanese relations (i.e. Griffith's iris shots, the then established technique for such an effect. In addition to other benefits, this isolates the character and his actions, focusing viewers' attention it's a change from Billy Bitzer and D.W. ![]() The opening scene of the Japanese ivory king sets the tone: with no fill lights, the scene is lit by diegetic sources shadows cover the character, and the background is darkness. ![]() How DeMille tells, or shows, the story is what's remarkable. The story is throwaway, although the sex and racial issues, obviously, grab one's attention. "The Cheat" was popular in Paris and impressed French Impressionist filmmakers, like Abel Gance. Notably, Benjamin Christensen and other Danish filmmakers had been creating interesting lighting effects, as had Russian filmmaker Yevgeni Bauer and perhaps a few others, probably influencing DeMille. DeMille experimented with lighting in other films around this time, including "The Golden Chance", which he made coincident with this film. DeMille and cinematographer Alvin Wyckoff extensively use chiaroscuro effects, or "Rembrandt lighting", to illuminate psychological states, for symbolism, drama and precursory shadows-for art. DeMille made "The Cheat", one of the earliest films to feature lighting for more than clarity. Studios were transitioning from sets with glass ceilings for natural lighting to closed sets with artificial lighting by the time Cecil B. ![]()
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